One thing you, our beloved readers, may not know about the wolf and the sheep is that we are addicted to long songs (Best Music of 2009 – check out Bay of Pigs and you’ll understand everything). The longer the better. This craze that we are currently in exploded with a one month obsession with Pink Floyd’s Dogs. We seriously just can not get enough of long songs! It takes a skilled group of artists to put together a sound that goes on and on and on, and not everyone can do it so well.
So, what happens when you combine Modest Mouse and 764-HERO? The result is this 15 minute single, Whenever You See Fit which was released in 2004. Modest Mouse is pretty mainstream but this song appears to have remained under the covers – a hidden gem, if you will. 764-HERO is a whole other (wonderful) story which may or may not be explored in the future of this blog. Together, these two bands have created two hauntingly distant vocals that seem to be fighting against each other throughout the whole song.
This song explores the lows of a seriously dragged out relationship that seems to never have the potential to come to a definite end. The only thing that this couple is addicted to more than each other is messing things up between them. The mistakes in any relationship are inevitable, nothing is ever perfect (at least, not for long) and sometimes its hard to call it quits. Once you get so comfortable with someone, the only thing harder than living through a bickering hell is moving on. That person is always there, always on your mind, always in your head, and always in your life even when they’re not.
Yeah, we’re talking on the phone again
Acting like we are our own best friend
And everything you ever said
Every thought I ever meant, I ever did
You’ll wake up early and you’ll live to regret
The ending of the song is a disappointment – just not in artistry:
Now and then, whenever you see fit
Nothing is clear
Tell the truth
Whenever you go wrong
Even though they know that “nothing is clear” and that no one is telling the truth, they convince themselves that, after all, everything is fine, everything will be okay in the end. A wonderful little (okay – not so little) song that sums up the drowning agony that is often associated with many relationships. But that’s just the way it is.
Okay, enough analysis for the dayweek month. We just love to analyze, have you noticed? What do you guys think? Personally, I love this song and I have been able to casually go back to it since I heard it about 3 years ago. Today I decided to take it more seriously and hopefully the result is not you reading this with a giant question mark floating above your head… hopefully.
until next time,
your neighborhood friendly man eater/grass grazer
Hailing from the great state of Oklahoma, Other Lives began their musical journey some time around 2004 and have been successfully pushing forward ever since. The band’s most recent album, the self titled Other Lives EP was released in March of 2009 on TBD Records. With the ability to master a variety of instruments being a main component of their band, their sound is composed of perfect little layers of piano, guitar, bass, organ, cello, drums violin and guitar that blend so beautifully into one melodic life boat, placed perfectly within reach for Jesse Tabish’s vocals to find solace and be carried safely through the currents of our mind. The eleven songs that make up Other Lives’ Self Titled EP are powerful enough to skip the judgment of the mind completely and nestle instantly within your soul. Lyrically, Other Lives avoids in-depth and wordy stanzas but instead opt for a straightforward and uncomplicated deliverance of emotions that have the ability to sting almost as quickly and easily as they eventually soothe. Failed relationships and unrequited love do not seem to be as big of a theme on this album, instead, we are placed on a path towards coping. It is as if Other Lives’ Self Titled EP is one of those albums that can take on its own personal meaning as it nestles its way into the lap of your emotions and eventually finds itself lost within them. So, coping with what exactly, I am not necessarily sure and believe it is up to the listener to eventually figure out. Whatever gap that lies wide open that calls for patching up, whatever haunting voice within the mind that needs quieting down, whatever apathetic albatross that demands to be replaced with something of substance – must open itself up wide enough to allow Tabish’s life boat room enough to slowly drop its anchor and find a home.
Like many albums that I eventually fall in love with, Other Lives has been sitting, silently and patiently, knowing that I would eventually give it a chance when the time was right. I can not imagine another time to have been better than the present. I highly recommend Other Lives, especially if you are looking for something to fill your heart, not necessarily your mind. This album does not call for thought, it seems as if it does the complete opposite and begs, quietly yet persuasively, to be felt. To embrace this album completely, I believe, requires time, patience and above all, a deep breath. Close your eyes, you owe it to yourself – or better yet, ‘shut out the sound, perfect silence is all around, away from the crowd, a chance to figure out what they’re about.’
Other Lives is Jesse Tabish, Josh Onstott, Jenny Hsu, Colby Owens and Jonathon Mooney.
And I had called a name but no one heard
Sounds just like the noise of people talking words
I’d love to say a prayer
For all those that flew and all who wish to
When the whites of your eyes come through
You’ll see something new
With your body and mine raised up
It’s good to see you back home
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