As many of you are probably aware, Peter Gabriel (Genesis) is putting out an album entitled Scratch My Back which consists of him covering various songs. The songs he has chosen to cover are by a handful of artists from our generation, including Radiohead, Regina Spektor, The Arcade Fire, The Magnetic Fields and….. BON IVER! Obviously, there is a reason behind why each song was picked, and according to this article, he chose songs that “are major reinterpretations of some famous stuff” today.
So, what do we think of this collaboration of classical rock/modern day rock? I think it is fantastic that artists such as Peter Gabriel, a legend, if you will, can appreciate the stuff new artists are putting out. Who said that its all been done and said? This simply confirms our belief that music we are getting today is, i repeat, IT IS, beautiful and worth our time and tears and dedication.
I have been able to form an opinion of Peter Gabriel; he is a true musician. He never stops listening, just as a true professor never stops learning, or a true mother never stops caring. Apparently, his daughter told him about Bon Iver; he is open to hear the progression of music from when he first started out to today. And this is the result;
Before Justin Vernon was in Bon Iver he was quite the busy man; he had a solo project going on, and he was also in a band called DeYarmond Edison (but thats for another day). His pre-Bon music certainly has a different sound to it; the infamous howl (that we seriously love way too much… where the hell does it COME from?!), for example, did not seem to develop until the Bon Iver/alone-in-a-cabin-in-the-wood days.
There are two albums that Justin Vernon put out under his name; Self-Titled and Hazeltons. In the dark and gloomy days of winter, this under-produced music will make you feel warm and happy (Okay, maybe happy is a little far fetched…). Don’t start getting turned off yet, as I am using the words under-produced to describe a sound which is extremely raw and hallow (the best kind of music, in our opinion), making it perfect for winter listening. It does not want you to take it too seriously, it just wants you to listen.
The Self-Titled album includes seventeen tracks, including a haunting 12-minutes of no words; just trumpets and guitars and all that great stuff (We Will Never Die).
this is tougher than I thought
holding you, the grace I’ve caught
cause you’re made of everything I want
and I am ringing you out
like a morning bell, I am ringing you out
like the kitchen rags of God, I am ringing out out
like my voice across the hill, I am ringing you out
like water on your feet,
and you are everything to me
Don’t we all just wish Justin Vernon wrote that about us? Who wouldn’t want to be the grace he’s caught? Hey… maybe in another life..
If you can not get enough of Bon Iver and must hear more, then go on a hunt for some of Vernon’s solo work (you might have to use your claws to dig deep for this one)!
Pitchfork: So what are some of your favorite quotes?
JV: Oh man, I don’t know. I’d have to think about it, but I was listening to this Johnny Cash song today that Tom Waits wrote for him– I think that’s the story. For some reason it’s a thing that sticks in my brain. He’s describing this scene where he sees all these almost biblical images happening kind of in this burrow where this biblical train runs through this yard. The song goes, “I saw Judas Iscariot carrying John Wilkes Booth down there by the train” and for some reason when Johnny Cash is singing that…
I have that written out. I thought that was an image I had to put in my pocket and keep with me. I’m not exactly sure why. It’s not that I need to remember it, because I won’t forget those kind of things, but I just want to write them down and look at them. It’s almost like when things like music come out and you’re listening to a song and you have experiences with art or phenomena that supersede your simple relationship with them as just a piece of art. They’re more than that. That’s just what those quotes are for me. They’re big, they’re important.
– Justin Vernon of Bon Iver
The interview done by Pitchfork can be found over here.
Um. Hello. Hey. Hi. Zdra-wait, how does one actually greet in a blog post? I wish I knew. It is only the second day of 2010 and it is already shaping up to be another sleepless year – some things last a long time, you know. Before I actually do what the receptors in my brain have sent me here to do, I would first like to send out an SOS to anyone reading this fabulous blog of ours because that is way more important. Ahem. On behalf of the toothless wolf and the wooly sheep, we wish you – from the bottom of the beating organs that keep our blood moving – a happy, healthy, magical and glorious 2010 full of people, places, things, music, words and feelings (new and old) that have the power elevate you towards that beautiful level of infinity. May you never have to run on empty and may more drinks always be on the way!
Happy New Year!
Stumbling upon Erik G. Neave, former member a band called Amalgam and the mastermind behind the music of Cedarwell, was an accident. Oh, how we love accidents sometimes. Cedarwell hails from the great land of Wisconsin, home of really cool cheese-head hats and the four walls that produced For Emma, Forever Ago. A couple of reviewers seem to think that Neave and Justin Vernon have more than Wisconsin in common but I, for one, do not hear it. While Vernon will forever own his signature howling, sound exits Neave’s mouth like a beating drum, pushing words forward and consciously placing each syllable where it belongs in order to lie perfectly with the music. Cedarwell’s Gamboge has been on repeat for the last couple of days, while I patiently wait for the latest release Smoky Mountain Bear to fall out of the sky and into my mout-I mean, hands.
Look through your day planner and pencil in 46:08 under the name Gamboge and take it out – get some coffee and go for a nice walk (the cold air will do you good) – then, let us know if you feel the butterflies.
Cedarwell is generous too, which is nice. There are a crap load of “free songs” on the official website (which may depend on your definition of free – take it for what it is). Just make sure you don’t sit around waiting for something to fall out of the sky, that only happens in my dreams. PayPal delivers quicker anyway, so let your steps fall soft and $how $ome $upport!
I opened up my skin
Under Wisconsin skies
I opened it again
When all the blood went dry
I wanted just one glimpse
If I still had a heart
That moment I got through, I didn’t
It’s better that way, I think
It’s better that way, I think
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