It is WAY too beautiful to be inside on the computer right now, so here are some quick updates!
You can finally order a Republic of Wolves vinyl which has 4 songs on it: Cardinals on the A side, and Wood/Bricks, a new song, on the B-side. It also comes with downloads for two alternate versions of For His Old Branches. Listen to it all. here
Also, Vintage Hustle Records have set up a contest for your chance to win some really cool stuff, so check it it out over here.
– dehydrated wolves among the grazing in the sun sheep
Tigers on Trains is a two piece band from Long Island, New York consisting of Mason Maggio and Christian Van Deurs. They have been getting quite a lot of attention over here, and we were lucky enough to be granted the opportunity to do an interview with them. This is their first official interview as a band, and we hope you guys enjoy it as much we did!
There is more to these two men then the music they make. Their answers are incredibly insightful and thoughtful and even at time, humorous. Tigers on Trains is in a word, brilliant and it is with great hope and eager paws/hooves that more ears will allow the hearts below them to flutter with emotion and the mind above to indulge itself in creative thought. While they may be new to the music scene, Maggio and Van Deurs are wise beyond their years – the proof is in the lyrics, the melody and the delivery.
Be sure to check out their music and keep an eye out for these guys! Listen to some songs below from their full length Grandfather:
A Year In The Garden Shed
Here’s the interview, click below for the rest and enjoy!
Wolves Among The Sheep: Alright, let’s begin with some background information. How and when was Tigers on Trains born? Were you two friends beforehand or did the music bring you together?
Mason: Well we’ve been good friends since 9th grade, a couple years before we started this project, but it was definitely music that brought us together. We met through a mutual friend and the first thing I said to Christian was “Wanna join an emo band?” The first thing he said to me was “No.” This repeated a few times until we actually became friends and started playing together. We were in a couple of “bands” together until we decided (in October of 2006) that all we needed were two acoustic guitars and our voices to make the music that we wanted to make.
WATS: What the story behind the name of the band? Do you guys love animals as much as we do?
Love is a strong word. But both of us definitely respect animals, and appreciate their wide range of skill sets. The name of the band came from a lyric in one of the early songs we wrote (before Tigers on Trains existed), entitled “Indian Ocean.” There’s little chance of anyone ever hearing that song. But lyrically the “tigers on trains” were a metaphor whose meaning was quickly forgotten, if it ever had one.
“That’s one of the things that’s great about art. You can create something out of thin air, something totally unrelated to reality, and that can carry an emotional power of its own and evoke that feeling in not only the listener, but also the artists themselves.”
One of the best things about having the original version of a song is being able to compare it to a demo version or a remixed version when a band is kind enough to share it with you. In this case, one of my personal favorite tracks on The Republic of Wolves’ EP His Old Branches (#1 EP of 2009)The Clouds, has been released as a demo with a link to a free download on Gregg Andrew Dellarocca’s – one of the five wolves’ – tumblr page.
This song brilliantly covers a wide spectrum of emotions ranging from what seems to be experiencing, dealing with and attempting to move on from loss. As the song begins, we are immediately introduced to inevitable death in the face of what was once patient hope. The inability to comprehend and accept the concept of ‘being without’ follows shortly after, where alcohol is introduced as a method to erase what realities are present and flood the mind with the delusion that the taller the bottle, the easier it will be to bring back what is missing. The ‘floor’ (or ‘ghost’ in the EP version of the song) gives no response to the main character’s attempts at finding closure through carrying on conversation with open space and though his attempts are tireless, they are fruitless as well and it is then that he begins to realize that there is no changing the certainty of death. There is, at this point, an immediate shift in the mood of the song, which is complimented by the sound itself – no longer attempting to stretch the realms of reality and giving rest to the inner battle that one faces when trying to achieve the impossible – the song hits a cathartic stride. What is left to bring back memories of what is lost is to be buried, hidden and tucked away – not to be forgotten but to be done because it is necessary for rescue, release, rebirth and growth. However, what takes a piece of us remains a part of us forever – so, no matter how deep we bury our memories, we never actually bury them deep enough to let go completely – ‘and they will stay there underground but no matter what I do I never will stop talking to you.’
(At least, that is how I interpret the song, have a listen and let us know what you think!)
I still see your face in the day.
And I see your eyes in the bottle that was way too tall
I finished it just to see if we could talk.
Now I’m speaking with the floor again
It’s telling me that I don’t listen.
We care for one thing here - to share sounds and words and melodies and ideas that are so beautiful, they'll make you want to fall apart and sleep forever.
Come say 'Hi!' at: email@example.com we don't really bite (that hard) or shed (that much) despite being creatures who hunt and graze for fun! Regardless of whether you love or hate what you see here, we hope that you find what it is you are looking for, eventually.
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PS: We apologize in advance that we are a little too addicted to using emoticons.. Nobody be thrown off, its all in good spirit! :D
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